hell The situation is good. A little 'hell but good for Berlusconi. If the wasteland of Celentano was not so well, hell in Dante's Benigni gives us the chance and consolation. Once a year, at Christmas, Roberto Benigni performs on television, without the annoying advertising. Big event stuff, stuff that Vincenzoni Mollica is able to work on it for a month. It is vital, has pace, dragging, rips the applause: the script but he is always sound, color, accents, rhythm are more important than content. Hell can wait. First there is a long tirade about Berlusconi ("Silvio back, because the actors have nothing to joke), first there are the jokes about Storace on Santanché, "beautiful big mouse," the Savoy, on Clementon Mastella, a little also on D'Alema, on Calderoli, ("no mustache, no boat, not smart), Sandro on "snail" Bondi, Vallettopoli up on Silvio Sircana on Buttiglione ("Rocco and his peas) Benigni is the court jester, the fool, the holy strolling where everything is allowed, the ' only allowed to mix the sacred and the profane, the high and low parts, the piccolo and the hendecasyllable of improvised comedy. A change log dall'avanspettacolo going to the sublime. Roberto argues that some evil lends itself (the word comes from Lucio Presta, manager of Bonolis is that of Benigni) to these operations when it is a bit 'in crisis, with cinema. But they're tricks, perhaps' the Fifth Hell Show "Italy is full of beauty, poetry and the miracle of existence, love, sex, the" nostalgia of the infinite, the wave of destruction that falls upon us when we fall in love. " Dante, Benigni's interpretation, it becomes a flood, a poetic outcry, a blaze of paraphrase. The famous love between Paolo and Francesca is one of the 'love that exempts no one beloved from loving. " They too have succumbed to lust, as adulterers, seducers, the libertines, the tissues that fill the newspapers today gossipari. If there are a lot of hell. Paolo and Francesca, two in-laws killed by her husband and his brother, because it caught in the act of adultery, they wander now embraced. Door to door stuff that would make us twenty points or Matrix. With plastic. Benigni, like Jim Dale, who can play on cultural Dante inspires awe the viewer. To understand this we must make the effort to read, to decipher. Hearing him play is pure gratification, won miracle: Are you participating in a row elected, you're in the presence of the Divine Comedy, you are complicit in the endless gifts of poetry bestows. It does not matter to understand, care there. At the fifth Hell Show. "
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